Sunday, April 19, 2009

painting the Tidal Basin





This photo shows my value-based
under painting for "Tidal Basin"
a 16x22 pastel painting on
Wallis sanded paper.








And, the same piece
after adding some color.
This painting will rest
on a spare easel, which
allows me to study the
painting. Doing this gives
me the opportunity to
step away from the piece
and study it. It may set
there for a couple hours
or days. This gives me
space—physically and
mentally—allowing me
to critique the piece before
going back into it.


Wednesday, April 15, 2009

knowledge



This is a little (9x12) painting that I recently did where I was focusing on the light and shadow. No matter how much I paint or how often I study, I feel as if I will never “get it.” I suppose that is the nature growth. I will never stop learning.

The further I go, the sorrier I am about how little I know: it is this that bothers me the most. —Claude Monet

Thursday, April 09, 2009

taxes

For years I have done my own taxes to save money. This year is no different... or so I thought. I've spent the past week trying to get everyhing together to pay my taxes and I am amazed at the disorganization, my disorganization. What makes it worse is that I know better. As the business manager foe a design firm, I'm very organized and keep excellent records. What I now realize is that in my own business--yes, being a working artist is a business--I am as disorganized as I am organized at work. My advice? Don't wait until April 2010 to start working on your books. Get things set up now and keep them updated as you go.

Wednesday, April 08, 2009

sunrise

I was in awe at the beauty of this morning's sunrise. It stopped me In my tracks.

"The sky is the soul of all scenery. It makes the earth lovely at sunrise and splended at sunset. In the one it breathes over the earth a crystal-like ether, in the other a liquid gold." --Thomas Cole

Monday, April 06, 2009

adventure

Although the exhibition, 383: Viewing the Potomac, is over I'll continue to work on the theme as I paint the diverse Potomac River. Today, I took the show down, hauled the remaining pieces to the studio for storage until my May exhibition in Cumberland, Maryland and sighed—partly out of relief and partly in sadness. For nearly two years the show has been a part of my life. I thought about it constantly as I developed the theme, painted the pieces, and planned the exhibition. As the date drew nearer, it became more of a presence in my life. I'm relieved that it is no longer in my daily thoughts and sad that it's over. More important, I'm thankful for the support and opportunity. This adventure prepares me for all that I will do tomorrow and beyond as I pursue my dreams.

"The biggest adventure you can take is to live the life of your dreams." —Oprah Winfrey

Friday, April 03, 2009

painting daily

I read an article about an artists' income survey. The researchers surveyed Canadian artists on income, education, and employment. Two things that really struck me were how little artists earn from their art, Canadian $20K, and how many hours they spend making art, 26 hours per week.

My first thought on both counts is, that's not enough. It's a shame that artists (all diciplines) must work second jobs to pay the rent. Second, that artists work at their craft less than three hours a day. That's practice time!

When in full swing, I'm clocking 40 hours a week painting. Granted, I don't have much of a life outside of the studio and my FT job, but I feel it is necessary for me to paint everyday to meet my goals. As I've said many times, all I want to do is paint.

So, let's get busy. Let's turn off these computers and paint.

Friday, March 27, 2009

working through the fear

Recently, I was having a conversation with a talented artist friend who was telling me how a painting would often remain untouched in the studio because he's fearful that he'll ruin it. Though not surprised, it was a realization that other artists, myself included, deal with such fears. I'm not trained in psychology or counseling and can therefore comment only on the fears and barriers that prevent me from working on my art. I can talk about my experience with fear and its similarity to my friend’s.

So, what is fear? Is it a lack of self-confidence? From where does it come? Why is that I question my abilities and myself? Of what am I afraid: I'm not good enough; of success; of failure; that someone won't like my work; of rejection? Why do I allow it to prevent me from taking those steps forward to achieve my goals and dreams? Like you, the answers to these questions must come from within.

Being an artist is not easy. We put our heart and soul out there for others to judge. Heck, as artists there's very little we do that doesn't come with a jury or someone deciding if our work is good enough or the right fit. The only way I've found to deal with this irrational—but very real—emotion is to keep moving forward. To be true to my art and myself. To focus on the work and not on the "projected" opinions of others. In other words... just keep painting.

Easier said than done, right? When the grip of fear begins to overtake us maybe, we should ask ourselves; what's worse, working through the fear at the risk of destroying something in which we have invested so much energy; or, give in to the fear and never give our work and ourselves the opportunity to flourish. After all, isn't it through trial and error that we learn and grow?

The great soprano, Beverly Sills said, "I'm not happy, I'm Cheerful. There's a difference. A happy woman has no cares at all. A cheerful woman has cares but has learned how to deal with them." I think being fearless and fearful are very similar to Beverly's happiness and cheerfulness... I have fears but I'm learning how to deal with them.

Thursday, March 26, 2009

Pastels on prepared panel

"What are you painting on?" is one of the questions that I'm most often asked. While I paint on many surfaces including, Wallis sanded papers, Sennelier La Carte pastel card, and Richeson premium surfaces to name a few, I prefer the surfaces that I make myself with plenty of irregular texture.

To begin, I use Amersand's Gessobord™. I use the surface rather than a hardboard that can be purchased at your hardware store because Gessobord is sealed and the surface is pH neutral and acid free. I trust the manufacturer has done it's reseach to assure it's product is everything they claim. Next, I apply three more coats of Gesso brushing it on with short cross-hatch stroke. I do not sand between coats. When the gesso is dry I apply several (3 or 4) coats of Golden Acrylic Grounds for Pastels to which I've added additional grit. The grit I use varies depending on how coarse I want my surface. Some of the substances I use are marble dust, pumice, and grog.

Since this takes some time to do, I usually prepare several panels at one time. I've also used this technique on 300# watercolor paper with good results. The surface accepts many layers of color and allows me to achieve a painterly quality.

Tuesday, March 24, 2009

"Paint" Alexandria Plein Air Festival

With several other artists, I've been invited demonstrate and teach as part of "Paint" Alexandria Plein Air Festival. I'll be on location Saturday, May 16 (time to be announced) where I'll do a pastel plein air demonstration. Registered participants are invited watch or paint along--so bring your kit and let's have some fun.

The Art League's annual "Paint" Alexandria, a two-day, all media, plein air event. Participants will be guided in the fine art of sketching, painting, and photography.

Monday, March 23, 2009

Workshops and Classes

Over the past several months, I've been asked if I'll be leading any workshops or teaching classes. Teaching has always something I've considered doing but I have never felt as if I were ready... until now. Currently, I'm exploring the opportunities that are available and gathering information. I hope to have something put together by Fall 2009. If you're interested in classes or workshops, please visit my Web site, www.danielwisestudio.com, and sign up for my mailing list and I'll keep you posted.

Saturday, March 21, 2009

a great demo

Many thanks to everyone who attended my demo at the Torpedo Factory this afternoon. It was great fun because of you. I loved your enthusiasm, questions, feedback, and smiling faces. I'm looking forward to next time. Until then, I'd love to receive feedback on the demo: What did you learn? How can I improve the presentation? What would you like to see next time? Etc.

Please feel free to contact me if you have any questions or requests.

Tuesday, January 13, 2009

Let's give this another try

I'm going to give this another try. Life's been very busy with painting, shows, travel, work and whatever else. I moved into a new studio last June and love it. I've never worked so much on art making. Currently, I'm working on work to exhibit in two solo shows for 2009. Check out my exhibitions page for more info.

Wednesday, August 20, 2008

Cha Cha Changes!!!

Wow! What can I say? The last eight months have been a just a busy. No, I haven't fallen off the face of the earth but I have moved my studio out of my home, had a piece added to a permanent collection, done commissions, and now have an opening in New York City. I suppose my time is limited and with that time I'm better off painting than texting. I'll try to make my posts more frequent moving forward.

Wednesday, January 16, 2008

Believe it or not

Believe it or not... I have been painting. Not as often as I'd like but all the same, I have been painting. Today, I started a large (18x24) pastel of San Francisco Bay. I only got as far as the underpainting and will start with color tonight or tomorrow morning.

As I previously stated, posting is not as easy as I thought it was going to be--considering work, commute, art-making, sleeping, etc. One day soon I'll post all the new pieces that I've been working on on.

Monday, December 17, 2007

Posting is not as easy as I thought.

I paint almost everyday. However, I find that between work, life and art-making, it is very difficult to maintain the blog on a daily basis. My work is to paint and that will always come first. Maintaining the blog and Web site—unfortunately—fall somewhere at the bottom of the list. I can only imagine the day when I no longer have a 9 to 5 and can dedicate the bulk of my energies to my art and its promotion.

The SI Carousel on the National Mall

Painting on the National Mall was an interesting experience with the many people who would stop, look, ask questions or simply use me as a backdrop for their photos. I did speak to a man who is a sculptor—I regret not getting his name—who had a very interesting story. He told me that he started out as a pastel painter but now sculpts. He even offered some welcome criticism on my painting.

As for the subject matter, this is a bit of a departure for me. I don't usually include figures in my work and approached them as spots of color on the landscape. Choosing the Carousel as my subject, it was necessary to paint the figure as part of the composition.

Monday, December 10, 2007

An Another Oil

This oil was done the same day as the previously posted oil. The weather cleared up slightly—it was still foggy and misty but the rained stopped—and cooled off. Compared to the first piece, you can see there is a bit more color in the landscape. I really like these pieces for the atmospheric quality they have. I would have never been able to paint en plein air with pastels on such a wet day.

A departure from pastel

This is the first plein air oil painting that I've done in many years. I recently took an oil sketch workshop to reintroduce myself to oils. The workshop focused on the portrait and figure but the principles apply to landscape as well. It was drizzling the morning I painted this, which made for an interesting experience. First, I was able to be outdoors painting in the rain—something I could never do with pastel—and second, I learned just how oil and water DO NOT mix on the canvas. Next time I'm taking my umbrella. All in all, I am still pleased with the result.

Saturday, December 01, 2007

Regal

This is a portrait of JJ. I titled the piece "Regal" because the model has such a regal presence about him. JJ is such a wonderful model whom I have painted on several occasions and I don't think that I have ever done a "bad" painting of him. This piece is showing at The Art League Gallery through December.